Ko Sin Tung’s work derives from situations and phenomena that emerge in the ever-changing urban environment,
exploring our living conditions under the impacts of various human activities in contemporary society like
construction, demolition, consumption, and more.
By modifying and arranging a wide range of artificial objects, she converts observations and emotions into
installations that are often site-responsive, magnifying our perception through experimental spatial attempts.
Her focus lies on the dilemmas of development and destruction, as she contemplates our attitudes towards speed
and obsolescence, subtly hinting at the passive state and vulnerability of individuals within the intricate
social dynamics and political decisions.